Saturday, December 23, 2017
The Reason is Christ
I wanted you to hear this awesome song if you haven't already heard it. Guaranteed to blow your socks off. Enjoy. Oh, and have a blessed Christmas! - The Castle Lady
Monday, August 21, 2017
Wednesday, August 16, 2017
If I Can Dream
For the 40th anniversary of the passing of Elvis I thought I'd put up a video of one of his lesser known songs which just went platinum. I found that out from Priscilla Presley when she was being interviewed today early in the morning on T.V. Now this is a song befitting the great talent he was truly. R.I.P. dear and know you were well loved. -The Castle Lady
There are additional entries on Elvis on this blog. Check the archives.
Sunday, August 13, 2017
Oh, Zsuzsanna !
I make the most interesting musical talent discoveries on
Good Morning America
than just about anywhere these days! Ms. Zsuzsanna Eva Ward- showed up on my
television screen the last full week of July and I was very impressed with her
music. She said that she had played for and with several big headline acts,
including ZZ Top- not just as an opening act- and I loved the song (Help me Mama) she sang on the show which
was from her latest studio LP The Storm.
Have a look and listen and decide for yourself. –The Castle Lady
Known as ZZ Ward, she has been
active as a professional singer since the age of 12 when she started out with
her father’s band with her first song being Albert King’s ‘As the Years Go Passing By’. She is a relatively new artist since
she had her official recording debut EP ‘Til
the Casket Drops’ which came out in 2012. She has been compared to Tina
Turner, Etta James and Aretha Franklin but what I hear is more original than
that and she could vie with Sheryl Crow for rock sass. Her appearances include
the 2014 Coachella
Valley Music and Arts
Festival, Bonnaroo Music Festival and even a short turn on tour with Eric
Clapton. You can find out more at www.zzward.com
Saturday, June 24, 2017
Dave Valentin- A Flute Legend
The flute world lost a major star this
year in March when Dave Valentin, a Grammy Award winner, passed away at the
young age of 64 from complications of a stroke. He had been dealing with the
effects of Parkinson’s disease for a number of years but had appeared to thrive
despite the debilitating effects of this ailment. I first heard and saw him, in
person, at a National Flute Association convention back in 1986 in New York City. I did not
know at the time that nearly all of us flutists had invaded his turf but he quickly
became a favorite, not only because he was a male in a female dominated instrumental
world but also because we noticed he was the most handsome flutist we had ever
seen. It was just a plus that he played like an angel in heaven. His only rival
was Ransom Wilson but Dave’s niche was jazz and he did some amazing things with
it, besides.
His manager, Richie Bonilla filled in the
gaps in my knowledge about him shortly after he passed. Born in the South Bronx
to parents who came from Puerto Rico, Dave
started in music playing conga and timbales by the time he was five. As a
teenager, he became attracted to a girl who played the flute and, to better
court her, switched instruments and taught himself to play. He went on to
become one of the pre-eminent flutists in Latin jazz. In 2003 his Grammy for
best Latin jazz album The Gathering was in collaboration
with the Caribbean Jazz Project, which also featured vibraphonist Dave Samuels.
Lauded by Jon Pareles in a New York Times
review back in 1984 he cited his sultry tone and amazing agility of technique
on the instrument as his strength in solos and always hovered around Latin and
funk rhythms or combinations of both. He’d played many instruments before
mastering jazz so his beginning was, of course, on piano by the age of nine. He
had already started to play professionally in real gigs by that time and was
considered a wunderkind all the while only receiving instructions from public
schools. He played in every collection he could- band, jazz band, orchestra and
chorus and out of seven music teachers, one-Stuart Soffer, recommended him to
the now famous High School of Music and Art in Manhattan. After graduating, he studied under
the acclaimed jazz/classical fusion flutist Hubert Laws, who became his mentor.
He also studied at Bronx Community College before becoming a music teacher and
taught seventh-, eighth- and ninth-grade music for three years in the South Bronx. He told NYT in 2014, “I had a jazz band and
taught them how to play, so when they graduated they were ready.” His first
album as a headliner Legends was
released in 1979 on the GRP label, with which he had a long and fruitful
relationship as both a leader and a sideman.
I own several recordings with the GRP
label which include Jungle Garden,
Flute Juice and the ground-breaking Light Struck which was inspired and
promoted by Juan Novo who had invented the Fantasia flute- a hand-crafted flute
which incorporated modern tech as well. One song on Light Struck “Can’t Change
My Heart” included Angela Bofill’s vocals in a beautiful compliment. This album
coincided with his strong appearance at the NYC flute convention in 1986 and
put both of them in the All-Stars permanently.
In addition to releasing numerous albums
under his own name, he also recorded with singers Patti Austin and Chris Connor,
guitarist Lee Ritenour, McCoy Tyner’s Afro-Cuban All-Stars and many others. He
also toured with the well-known jazz percussionist Tito Puente and was named music
director of his Golden Latin Jazz All-Stars. After suffering a stroke in 2012,
he convalesced in a rented bungalow in the Harding
Park section of the Bronx
for a time, surviving without savings or health insurance and mostly depended on
donations, many handled by the Jazz Foundation of America.
He is survived by his brother, George and
many fans who will never forget his sound, his infectious verve and smile but
most of all his unflagging faith in Jesus who he always referred to as his Lord
and Creator in his liner notes when he dedicated his LPs. On Light Struck he wrote, “In my moments of
solitude, His light fills my spirit.”
Amen, brother !
The
Castle Lady
Labels:
80s Jazz,
Dave Valentin,
Jazz flute,
Latin Jazz,
Men in Jazz
Tuesday, May 2, 2017
Ella at 100 years !
Even though Ella Fitzgerald has been gone from our presence for a little over two decades, her voice and music continue in tribute albums and performances of some of the finest jazz talent around the world! Just a sampling of those are Aretha Franklin, Victoria Wyndham, Jane Monheit, Dianne Reeves and Natalie Cole! Her tribute albums are numerous and contain quite a roster of very talented folk. Ella's talent alone was legendary and her signature sound was so unique that if you heard her on the radio- five notes and three words were enough to identify her. She was purely an original and I remember the first time I heard scat was on a Fitzgerald platter.
The past week marked the 100th anniversary of her birth on April 25, 1917 at Newport News, Virginia. On the day, a lecture was given by Larry Applebaum on her life and career at the Whittall Pavilion at the Library of Congress. On the same day there was a tribute concert at Birdland in NYC with musical artists recreating her tunes. She began singing in her teens with the Chick Webb Orchestra making her first and most popular early hit A-Tisket, A-Tasket and went on to sing with Louis Armstrong, Duke Ellington, The Ink Spots and Dizzy Gillespie. It's important to note that her amateur singing debut was officially at the age of seventeen when she took the stage on November 21st of 1934 on Amateur Night at the Apollo Theater. Doing a tribute herself of Connee Boswell, she sang Judy and The Object of My Affection and won first prize ! A few months later she was singing with a band at the Harlem Opera House and met Chick Webb there. Fitzgerald recorded nearly 150 songs with Webb's orchestra between 1935 and its final end in 1942, when she went solo. After that she sang with many different bands but always headlined with popular artists. She made the transition to bebop seamlessly and became an integral part of the Dizzy Gillespie band making it definitive with what today would be called vocal stylings. By 1945 she'd made a record called Flying Home with arranger Vic Schoen and received glowing reviews, amongst them the New York Times said it was "the most influential jazz record of the decade".
Ella's discography and collaborations are so numerous that I would direct you to visit her web site to get everything you would want to know. There will be a full schedule this year of the tribute performances in and around Washington, D.C. and I urge everyone to get out and attend some of these if you are a true jazz fan. The above mentioned artists have done very well with her work but, of course, there ain't nothing like the real thing baby ! By the 50s Ella was covering just about every jazz song worth listening to in such composers as Cole Porter, Duke Ellington, Gershwin, A.C. Jobim and went international with Norman Granz in the 60s. At that time she made Ella in Berlin which became her all-time best selling album for which she won a Grammy with her performance of "Mack the Knife." It vies with Louis Armstrong's version which is also world famous. She even made four albums with Joe Pass in the 70s and 80s which rarely get attention but are quite poignant. A zenith year came in 1975 when Ella and Frank Sinatra appeared on Broadway along with the Count Basie Orchestra in September in which the shows grossed $1,000,000 for a two week run!
Even though she looked the picture of health through most of her years Ella was diagnosed with diabetes type 2 in her later years and had several hospitalizations because of illnesses brought on by her condition. She passed away in June of 1996 at the age of 79 in Los Angeles and was interred there.
Her awards are numerous and include thirteen Grammy Awards plus the Lifetime Achievement Award she garnered in 1967. In 1958 she was the first black female to win at the inaugural show. In 1990 she received an honorary doctorate in Music from Harvard University !
If you are blessed to live in the vicinity of her hometown at Newport News, VA you may want to check out a music festival which is celebrated every year (since 1997) to honor her and her music for an entire week. The roster of Jazz musicians and singers who participate have grown exponentially over the years and you'll have a chance to hear what an impact this fantastic singer has had over the years and continues to exert even though her residence is now on high. Please do avail yourself of her musical influence and sound. There is no other like it in the world and there may never be again !
www.ellafitzgerald.com
The Castle Lady
Labels:
100 Club,
Bebop,
Ella Fitzgerald,
Guitar Jazz,
Scat,
Women in Jazz
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